Lynne Andrews FOLK ART

Lynne Andrews Folk Art is a home-based art studio that focuses on folk art designs inspired by her faith, family and home. Lynne is an international traveling artist, whose self-taught techniques and distinct style has made her work highly sought after. When asked how I first started painting …. I believe it’s anything but typical, lol. Sorry if I get a little long winded but it’s my chance to name names and finally thank them as they should be, my guiding angels. Here goes….

Ever since I can remember, I had a newsprint pad and box of crayons in my hands. My Grandmother Alice Kilpatrick, was an amazing folk artist. She was always doing something weird like making her own stencils or painting with oils on a tin coffee pot and turning it into a lamp. I thought she was crazy at the time. She was and always will be my role model and hero. I credit her for leading me down this glorious path.

I dabbled with art in high school, realizing I loved watercolors and pen and ink. I have always been involved with crafts and love using my hands.

Fast forward, I’m married with a toddler and baby and want to stay home with them. That means I must find a way to make money. I started painting small things like pins, switch plates and ornaments for shops. It grew rather fast. People liked them and wanted more. As a Mom with small children, I could only paint so fast, which in turn created a demand on the other end. And so it began…

I started to develop a “look” to my designs. I incorporated my love of watercolor and pen and ink but used acrylic paint. The other huge thing was I decided that if I was given this gift to paint, I should thank the Lord for it so I started including scripture whenever possible. The more I painted the more details I started adding (for my mental health). Shops and eventually art galleries throughout new England were asking for my pieces.

All the while I felt a terrible emptiness when it came to painting. I had started out loving it and was increasingly beginning to resent it. I was basically mass producing, nothing creative about it. Problem was I had an established list of clientele at this point with a small but steady stream of money (wholesale remember) coming in. I always felt there was something more I was supposed to be doing, just had no clue what it was.

Out of nowhere I received an invitation one day from a funny little group just forming in Rhode Island, called the Little Rhody Rembrandts, a painting group affiliated with something call SDP. I didn’t go at first but they were persistent, lol, good thing. My unending gratitude to Jeanne Paglio who was responsible for not giving up! I learned so much from her especially business savvy (still learning Jeanne). Eventually I went, fell in love with the people and even though I was intimidated at first, was embraced with open arms. One door after another opened for me. Putting these words down now I’m getting emotional thinking how the Lord literally held me by my hand and guided me through those doors.

As luck would have it my friend Cindy Smith was wearing a pin I had painted for her, to a class at Country Schoolhouse owned by Janice Cormier. She asked her about the pin, one thing led to another and I found myself standing in Janice’s shop asking me to do pattern packets for her booth at NET that fall. I replied, “What’s a pattern packet?” ….

I decided to submit a design for the convention the following year and guess what? It was chosen!!!!! Seriously? That gave me the courage to submit to the Delta Design Challenge (remember that?). Guess what, no I didn't get first prize but I did come in second! It might as well have been a million dollars. I was blown away. Thank you Kim Hogue for being a part of the Design team there and for calling me and sharing that news. You will continue to be someone that I admire and respect and cherish our friendship.

I went to my first New England Traditions Convention that fall of 2004 where my packets were sold. I took my first class there with Prudy Vannier who realized I was chosen as convention artist for the following year. Prudy stood there in the middle of the class and said, “Why aren’t we doing a book together?” Really, can’t make this stuff up. My life changed forever because of these remarkable people who had such faith in my ability. On and on it went and continues 13 years later….

I think maybe my Gramma Kilpatrick might have put a good word in for me. I am blessed beyond measure my friends. Thank you for bearing with me and reading my story. I’ll leave you with my favorite scripture…” I will show thee my faith through my works…” James 2:18

Blessings and gratitude. Lynne

Lynne Andrews Specialty Set of 6

This specially designed Lynne Andrews Specialty Set of 6 is perfect for Lynne’s special techniques. This set now includes Lynne's new "Lynnies Mini Sash" brush, three sizes of Lynne's Magic Mop, 1/4" Crescent Rake and the 3/8" Crescent Rake.  Lynne uses these to create some of her great effects on Santa's, critters, and all her great  projects.

Lynne has just begun having fun with her new Lynnies Mini Sash.  Development of this brush has gone on for the last year and it is now here for you to try also.  Lynne says " I just love, love love my new mini sash.  

The Magic Mop speaks for its self.  Its the magic in the mop and the Lynne Andrews projects that make it do its job. Now in three sizes: 1/4, 3/8 and 1/2".  You will love this soft bristle mop.  

The Crescent Rake is a unique combination of a Crescent brush and Rake or comb brush. The ends of the bristles are staggered in length, creating a comb-like appearance for painting techniques that are required in Lynne's painting.  

                            “I love my new crescent rakes for painting my pine trees and foliage!!! So fast and easy.
                               I have also discovered how great they are for my Father Christmas’ beards and fur.”   - Lynne Andrews

Two shapes in the already highly acclaimed series of Lynne Andrews brushes.  Created with the history and superior quality and craftsmanship of Brushes and More.

Judy Coates

DePalma Custom Woodcrafts

DePalma's Custom Woodcrafts has been in business for 30+ years and supplies painters, and designers, with high quality ready-to-paint wood surfaces at reasonable prices.

GLORIA GREAVES

Holly Hanley

Historical Society of Early America Decoration

Our Mission

Continuing the Traditions

The Historical Society of Early American Decoration (HSEAD) perpetuates and expands the unique skills and knowledge of Early American Decoration. 

We accomplish this mission through educational programs, research, publishing, and exhibitions of the work of our practicing guild artists in regional chapters.

Why…
Hand-decorated American objects from the 18th and 19th century link us to the past in a personal and tangible way. Brushstroke by brushstroke, we feel a connection to the talented people who made these beautiful functional objects that were used in the households of ordinary people. We keep these art forms alive for the future.

What…
Decorated articles from the homes of our ancestors are the focus of our work. These include painted,  stenciled and gilded furniture, cornice boards, tin trunks, coffee pots, trays, bellows, glass panels in clocks and looking glasses, walls, and floors.

How…
Members work individually and in workshops in stenciling, pontypool painting, gold leafing, Victorian flower painting, penwork, reverse glass painting, clock dials, country painting, freehand bronzing and theorem painting. The Society also has an awards program for outstanding teaching and craftsmanship in various fields.

The Society extensively researches original decorative art from the 1700s and 1800s. In addition to several books and videos, members continue to publish articles for The Decorator (the official publication of the Society) and other publications. The Society maintains a lending library of original early American designs

JoSonja (Mark Jansen)

Marlene Kreutz

Marlene was born and raised in Minnesota and has been interested in drawing and painting all of her life. One of her greatest thrills comes from creating something new and seeing it come to life. In the early 80's she took her first painting classes and later started teaching and designing her first instructional packets. She has designed well over 300 packets. In addition to her own line of pattern packets, she has published many magazine articles and has authored and co-authored numerous decorative painting books, this would not have been possible without the support of her husband of fifty years. After raising two wonderful boys, they now have the time to devote to Marlene's decorative painting.

She was a member of the Society of Decorative Painters and earned her Certified Decorative Artist award in 2004. She travel teaches all across the country at regional conventions as well as group seminars sharing her techniques and knowledge.

Marlene's favorite painting medium is acrylic. She is a DecoArt Helping Artist. Most of her recent work has been done in DecoArt Americana acrylics. Her style is unique in that she combines layers of floated color, dry brushing and stippling to create a realistic effect. Her favorite subject matter has always been flowers, but has included many birds, fish and whimsical designs.

As of late she has added pen, ink and pencil shading to her designs and finds it to be a very relaxing form of art. With this technique she has created pattern packets and authored two books; Marlene's Ink Creations and Marlene's Ink Therapy. Marlene enjoys sharing her patterns and designs so that others may create beautiful projects.

Mark Polomchak

Maureen Baker

Maureen has been creating art since a child growing up in Chelmsford, Massachusetts.

At age 45 she came to the realization, she should dedicate her career to doing what she loves and began the journey of painting professionally and teaching. She has won numerous awards locally and regionally including CAS professional division in drawing and graphics, mixed medias, oils, and acrylics; WRAS in art under glass and NET in the professional division in numerous categories. Maureen's work is shown in many private collections throughout New England.

More recently Maureen decided to share her talent and techniques, and she began the journey of teaching. She teaches five classes per week and at numerous conventions including SDP, HOOT and NET. Maureen's first magazine article will be published in the Painting magazine in February 2011 edition, she will also be writing for the August edition of the Painting magazine.

To have Maureen teach at a seminar for you or your painting group, please contact her at maureenbaker@msn.com or by fax at 978-256.5949.

Painting nutures one's spirit.

Annamarie Oke

Annamarie is a fun, talented mixed media and Dynasty Brush Artisan

Painting World Magazine (Kole Hunt)

Painting World Magazine is more than a publication—it’s a place to connect, create, and belong.

It’s a place to start. To imagine. To create something meaningful with your own hands.

Rooted in the timeless beauty of decorative painting and thoughtfully reimagined for today’s creative lifestyle, PWM celebrates the soul of handcrafted art across surfaces—from cherished keepsakes to modern expressions.

Every issue invites artists of all generations into a shared space where creativity is not just taught, but lived—where stories are painted into wood and canvas, and where design becomes a language of the heart.

We believe in the power of making. The power of sharing. And the power of slowing down to do something real.

Through tutorials, surface design ideas, artist features, and honest storytelling, we help painters not only refine their craft—but rediscover their why.

This is where artistry meets lifestyle. Where memories are made. And where every brushstroke builds a deeper connection—to your craft, your purpose, and your community.

Welcome to Painting World Magazine—where imagination begins, tradition continues, and creativity always has a home.

Pinecraft

I first became involved in this industry when I was in high school. During that time, my mom was a Tole Painter -- holding classes at the Plum Fun Shop in Portland, OR. They were in need of someone to build the wood -- and that is where my career in woodworking began.

Over time, my folks expanded the garage so that I could continue to grow my business. For a time, I dabbled in making cabinets for apartment complexes, but my love for the art industry drew me back to my roots.

When I got married, I knew that I needed to find a place where I could either expand and build a shop, or find a place with one already on the lot. We got luck and found property in Milwaukie, OR (not the other Milwaukee) that included a shop with plenty of room to expand, if needed.

I have now entered into the phase of laser cutting, and while technology is a wonderful thing, sometimes I just like to create from scratch like I used to those many years ago.

I hope that you enjoy the items on our website and that they help you find inspiration to keep creating.

Doug Fredrickson

Quilted Acorn (Cynthia Erekson)

It's an honor to have been selected as a cover artist four times and to have exhibited at every Net event. My booth showcases my passion for American Antiques, with a diverse collection of New England-inspired folk art. Please stop by and explore the many new designs on display. You can find us at our new location in the Exhibit Hall, just inside the entrance door!

Two Ole Crows. Lynne Andrews & Cynthia Erekson

Scharff Brushes

Choosing a Brush

When selecting a brush, you have to decide whether you want a natural hair, bristle, or synthetic hair. A short standard length handle or a long handled brush is a matter of preference for the type of painting you may want to do.

Brush Hair Choices

Kolinsky

This is the finest Red Sable available. It is a finely pointed hair which performs with great spring. The hair is ideal for watercolor and acrylics.

Red Sable

This is a soft natural hair . There are many different grades of Red Sable depending on the region of the world from which the animal comes. Sable hair is best used in oils and watercolors.

Squirrel

This hair is very absorbent and will carry a lot of medium. The very fine pointed hairs leave a smooth, streak-free stroke. Squirrel hair brushes are very soft and are used by China and Sign Painters alike. They can be used in all media.

Ox

This hair is quite strong which is easily dyed different shades of color, but lacks the fine tips of Red Sable, Squirrel, or synthetics. It is ideal hair for mops and mixing with other hair.

Goat

This is usually a very soft white hair used in blending or softening the appearance of your project. This hair is very fragile and has a tendency to break if abused too much.

Camel

Years ago a brush maker termed the name “camel hair” since no hair comes from a camel to manufacture. It was called “camel hair” since leftover hair of differrent types were mixed together so as not to waste any hair. This hair is good for school grade brushes.

Bristle

This is a strong, coarse, natural hair that comes from the ear of a pig. It is used in heavy media such as oils, acrylics and lacquers. They are used on rough surfaces like canvas, porcelain, brick, concrete or unfinished wood. White Bristle is also ideal for use in dry-brushing techniques.

Synthetic

This is generally referred to as Taklon. Most familiar gold in color but can be dyed in various colors. Taklon comes in different grades of quality and diameters just as it does in fishing lines.

Golden Taklon (nylon) is perfect for use with acrylics, but it can be used in any medium.

White Nylon is a softer, finer filament than Golden Taklon. This is used best in watercolors and fabric painting.

Stiff Synthetic

This filament is not as soft as the above-mentioned Taklon or Nylon. The stiffness of the filament is used for scrubbing, fabric painting on denim, and on other rough surfaces.

Lori Puszakowski Schmidt

Tole Sampler (Mary Svenson)

 Mary Svenson has attended and exhibited at New England Tradition since year one and she is honored to exhibit this year at NET 2025. The Tole Sampler booth  will be featuring many new patterns and surfaces, two new nutcrackers as well as Jo Sonja brushes and mediums, and additional specials including the sale of painted samples. Mary is also teaching two classes.

Anne Hunter

Anne Hunter of the Creative Touch who has been involved with NET since the beginning, will share a booth with Mary Svenson between teaching her three classes. Anne will have a display of new design packets, painted samples, and special offerings. Stop by the booth for a chat and see what's new. We look forward to seeing you.

Anne had a vision – To create designs that would be easy for the novice painter and would also interest the more experienced artist.  The realization of the vision has become The Creative Touch, a studio where Anne designs painting projects and shares her knowledge through classes developed to build skills and confidence.

Classes in the Studio - Anne teaches in the studio on a weekly basis.  During each class, there is a choice of working as a group to paint a project in a step-by-step method, or to work individually on their own specific project.

Classes about Town - “The traveling classroom” is a new program where Anne brings the classroom to different locations with a complete painting package including a surface, paints, brushes and supplies.  Normally these classes are 3 hours long and the students leave with a completed painting.

Maxine Thomas

Unleash your creativity with help from Maxine Thomas of Country Primitives. Maxine provides craft instructions for anyone who wants to learn her folkart style, thus you can create a unique vintage movement as certain strokes and colors are combined.

Rebecca Trimble

Meet Rebecca.

Rebecca has been painting all her life. She is the mother of 4, grandmother of 1, and a long time Navy wife. She currently lives in sunny Florida with her family and 3 lazy pups. She runs a successful custom painting business, specializing in cabinet and furniture painting and artwork for the home. Her art work has been published in National magazines and she travel teaches worldwide.

Bobbi campbell

Silver Brush

Founded in the basement of Dee Silver’s home, Silver Brush Limited has grown from humble beginnings to a global brand focused on one mission – providing artists with the perfect tool to express their vision.

Before starting Silver Brush Limited in 1990, Dee spent over 13 years selling brushes and studying under master brush makers. Her vision was to bring the highest quality brushes in the world to the American market. Today, artists from all walks of life share the experience of using our exceptional brushes in almost every corner of the globe.

A favorite of both professionals and hobbyists alike, Silver Brushes are the choice brush for prominent artists who have painted some of the world’s most distinguished figures. Subjects painted include luminaries such as Pope John Paul II; Princess Diana; US Presidents Reagan, George H.W. Bush, Clinton and George W. Bush as well as First Ladies Michelle Obama, Laura Bush, Hillary Clinton, Barbara Bush and Nancy Reagan. ​

Silver Brush Limited entered a new era with a new generation when Dee’s oldest son Warren Flax (who worked alongside Dee in the '90s), rejoined the company. As Silver Brush expands, we take great pride in maintaining the same core values on which the company was founded – superb quality, excellent value and outstanding service to the US as well as the global artist community.

Dee Silver, President and Founder